The shrunken heads, or tsantsas, were made by the Shuar and Achuar people who live in the rainforests of Ecuador and Peru. ![]() The largest collection is at the Museo Pumapungo in Cuenca, Equador, which is a partner in the Quito university project. This states that “careful thought should be put into the reasons for, and circumstances of, the display of human remains”.Īlong with the Pitt Rivers Museum, tsantsas are held by most major museums of ethnography, such as the Smithsonian’s Natural History Museum (Washington, DC), Quai Branly (Paris) and Ethnographic Museum (Berlin). The Pitt Rivers Museum also needs to take into account 2005 UK government guidance on the display of human remains in museums. This has been examined by the anthropologist Frances Larson in her recent book on severed heads: “Collectors behaved in a way that would have been criminal at home… Some stole the dead from hospital morgues, bought bodies from prison, offered people goods in exchange for bits of their dead relatives or asked the locals politely for enemy body parts after battles and raids.” Arguably it is inappropriate for museums to display human remains acquired in such circumstances. Van Broekhoven is also only too aware about the ethical sensitivities surrounding the original acquisition of tsantsas, since in some cases this involved violent and criminal behaviour by collectors who were responding to the appetites of museums. One of the challenges is that the Shuar people are now involved in difficult and divisive decisions over concessions for mineral exploitation on their lands, making it more difficult for them to focus on cultural matters. Maria Ordoñez, the leader of the Quito-based research project, says they hope to study the tsantsas using technology such as CT scanning and DNA analysis. The museum recently signed an agreement with Quito’s University of San Francisco to collaborate with Shuar representatives to discuss the tsantsas. Van Broekhoven believes it is vital to involve representatives of the Shuar community, who number around 40,000. ![]() Run by the University of Oxford, the museum is placing great emphasis on fostering cross-cultural understanding. The museum is also applying to the Arts and Humanities Research Council for funding to undertake provenance research on the tsantsas and to invite Ecuadorian researchers and Shuar representatives to Oxford. The review of the tsantsas is being undertaken as part of a wider project, entitled Labelling Matters, which will reconsider the Pitt Rivers Museum’s historic labels, some dating back to its foundation in 1884. The Shuar communities do not want to be represented in these stereotypical ways.” The practice of headhunting, instead of being better understood, is misunderstood entirely. Van Broekhoven points out that the Treatment of Dead Enemies display is both “cherished and feared” by visitors: “Many think of these objects as bizarre, gruesome, barbaric, a ‘freak’ show. But it has exceptionally granted The Art Newspaper permission to publish the image. Until now the museum has not allowed its official photograph of the display case to be reproduced by the media, because of concerns over sensationalism. But all options are on the table.”ĭating back to the 1940s, the Treatment of Dead Enemies display at the Pitt Rivers contains examples of human remains and associated objects from around the world, including four tsantsas with long hair. So far, we have no indication that this is the case. She has an open attitude on what should be done, with repatriation to Ecuador a possibility: “If we conclude it is inappropriate to show the tsantsas, they might be taken off display. Laura Van Broekhoven, who took over as director of the Pitt Rivers Museum two years ago, is rethinking the museum’s displays, including the tsantsas, and is consulting with representatives of the Shuar community. ![]() Michael O’Hanlon, the previous director, says the most commonly asked question by visitors is: “Which case has the shrunken heads?” The tsantsas are the museum’s most famed objects. These human heads with skin and hair, known as tsantsas, were made by the Shuar and Achuar people of Ecuador and Peru-up until the 1960s. The Pitt Rivers Museum in Oxford is reconsidering its display of shrunken heads, which are currently shown in a case labelled Treatment of Dead Enemies.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |